Jim Wilson has been shooting photos for the New York Times since 1980:
When I started, everything was dependent on processed film, which meant having to bring film, a darkroom kit including enlarging and print making equipment, and a transmitter (very much like a souped up fax machine). We’d have to find or at least arrange for a telephone line and telephone access when we needed to send our images. I remember having a small portable typewriter that I’d use to write the captions that were pasted onto the photos before they were put on the drum transmitter and sent back to The Times. The phone lines were all analog, and each picture took around 10 minutes to send — if the line was interrupted for any reason, we’d have to start over. If we got out 10 images in a day, that was huge.
Today, many we carry connected cameras with us everywhere. Even large professional cameras tend to have direct networking capabilities.
Times sure have changed.